At the October 2017 Audio Engineering Society’s national convention in New York, HEAR Now presented a special ‘reading’ of Shakespeare MacBeth Act IV, Scene 1, while at the same time shaping some staging around a binaural microphone head, that plays with proximity, intensity, and arrangement. The result was a combination of live theatre-going and full-cast audio […]
For the first time ever, New York City Ballet Principals Amar Ramasar and Andrew Veyette choreographedwithin the context of an immersive theatrical experience: an exclusive, invite-only, dance event uniquely staged within aprivate mansion (www.birdhousebrooklyn.com) in Clinton Hill, Brooklyn. “NYC Ballet Principals Set for Private, Immersive Dance Event CHRYSALIS in Brooklyn“ – Broadway World The setting
HEAR Now Festival we presented a special “reading” of Act IV, Scene 1 of Shakespeare’s MacBeth.The performance, inspired in part by the recent Tony winning Broadway show “The Encounter,” featured a Soundman dummy “head” with 2 DPA mono omni-directional capsules. The co-directors took special care to create the actor’s staging around the binaural microphone head, which considered the proximity, intensity, and location arrangement. Sound design elements were added to the
